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This is the manifesto track, filed as a dispute between two parties.

The first party is human and speaks mock-classical Japanese. It praises the way of waka: 5-7-5-7-7, flowers, the moon and the wind, never chasing the same sound twice, meaning left behind like dew. Then it hardens into a purist, complete with the archaic 候: rhyming is shameful, a childish game, and a word should keep to one meaning. Classical Japanese verse runs on mora counts, season words and kakekotoba, pivot words that mean two things at once. End rhyme was never its principle; with only five vowels, Japanese falls into rhyme by accident all the time. The purist's speech ends by undermining itself: されど誰ぞ かく定めたる, "but who decided this?"

The second party is the yōkai, who answer in loud, cheap rhymes on -ai: インデマイ, インデサワイ, "dance in rhyme, riot in rhyme". Humans have form, and a world of forms. Yōkai have rhyme, and a world that rings. Their verse holds the album's poetics: when the moon bends, words bend too; twist one meaning into two (kakekotoba, taken back from the purist); if it is embarrassing, rhyme harder; the more they laugh, the louder it should ring.

For this case we established the Rhyme Compliance Review Office, which audited every yōkai rhyme against waka standards. Non-compliant: 100 percent. Approved: 100 percent. The Office recommends no changes. Our renku baton, opening today, keeps the classical form, in which verses link and turn and never rhyme. The Office has no jurisdiction there.

The song calls witnesses from overseas. Our International Division, dissolved in 2013, was consulted by letter and confirms both. Shakespeare appears through the witches of Macbeth, "Double, double, toil and trouble": in that play the nobles speak mostly in unrhymed verse, and the witches in rhyme. A quatrain by Rimbaud follows in French, from "Alchemy of the Word" in A Season in Hell, the pages on hunger.

The Meaning Recovery Section recovered 76 percent of the chant, the highest rate so far: the yōkai argue in Japanese dressed in katakana. The remainder (タクタクタク, パトゥパトゥ, オネグサライ) has been classified as resonance. The Weather Forecast Language Section reports a forecast inside the chant, フラナイ, "it will not rain", which contradicts Case 01. Both forecasts remain in effect.

The lines to quote:
人には形がある。妖怪には韻がある。
人には意味がある。妖怪には響きがある。
Humans have form. Yōkai have rhyme. Humans have meaning. Yōkai have resonance.

We ask that "resonance" not be filed under nonsense. The yōkai state the theory themselves: sound runs ahead of meaning, and resonance brings meaning along behind it. The group's name says the same: お響きですね, "It's resonance, isn't it?"